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Warren Littlefield, former NBC President of Entertainment 4. I have it next to my desk it says 'overall evaluation: weak.’" "In the history of pilot reports, Seinfeld has got to be one of the worst of all time. It would have been better, but too daring for NBC, to have him delivering jokes to an empty room, or to the camera." The stand-up situations obviously aren't real, so it sounds like he's working a room of laugh-track machines. Now, Jerry Seinfeld is funny-in sort of an upscale, Jewish George Carlin kind of a way-but he's not that funny. Theoretically there's some sort of-I hesitate to use the word-'counterpoint' between the stand-up material and what loosely passes for the plot.
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The revolutionary concept here consists of cutting a couple of times per episode to Jerry performing his act at a comedy club where, naturally, everybody laughs at all his jokes. There's none of the self-referential surrealism of It's Garry Shandling's Show that the show's premise-a comedian playing 'himself'-suggests there will be. "This five-episode summer diversion, which NBC has been kicking around for at least half a season waiting for the 'right time' to unleash it on the viewing public, is not what could be termed an inspired piece of television. What it boils down to is that Seinfeld, likable as he may be, is a mayonnaise clown in a world that requires a little horseradish." "But lacking much in the way of attitude, the show seems obsolete and irrelevant. Here are 12 other criticisms heaped upon Seinfeld, both after it debuted on July 5, 1989, as The Seinfeld Chronicles, and at its end, when it was considered "master of its domain." 1.
#SEINFEILD MASTER OF MY DOMAIN TV#
The now-revered sitcom was even questioned by those who put it on the air: The show is "too New York, too Jewish," NBC TV executive Brandon Tartikoff once balked. For its first two seasons-and then occasionally throughout- Seinfeld was panned by critics for being too lame, too self-indulgent, too racist, too homophobic, too yuppieish, and too liberal.